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raumstadt

The house extends into the landscape. Interior and exterior merge. Self-wall elements form a continuity of space, which is compressed slowly to the fictitious intersection point. Coming from the vastness of the landscape, the space is concentrated toward the center. There, in the focus of the house, the fireplace is the semicircular introverted living area that opens upward.

Here, the direction change takes place from earth to heaven. While the axial shear walls belong to the landscape and the earthly, the semi-circular living area refers to the heavens and the divine. The room is sparsely exposed sides with colored glass, and he replaced his natural light from above or from the fire.

The axial structure is of the order - but not the representation of the house, as in the days of absolute monarchs and will play in the development since the middle - the fireplace - is not accessible. This means one approaches the building along the wall plate in the axial guide ... slowly compresses the space back to the entrance. Now you can see her later though, they tread but not further because the road is occupied by the fireplace. With the detour, which one has to go, open up the spaces in its diagonal and is constantly gaining new and beautiful impressions of the room.

According to its mission, the building is divided into different areas: a lounge with terrace and swimming pool, a sector (rather than a cellar), a guest or office space and nature and garden area. The upper floor provides space for three individual rooms, a spacious bathroom and a library open to the two-story living area. All rooms have a direct or indirect access to the outside.

The individual components such as wall, ceiling or roof are treated independently. However, they submit to the greater good and to obey the prescribed principles of order based on harmonious proportions. It creates a rhythm, a dynamic similar to a musical composition. The components is the role of the instruments in an orchestra: Each is important by itself and clearly visible, but only in their interaction creates a symphony. The building mass increases in the view from the margins to the center: in the interior where there is the greatest spatial density is visible from outside the main building mass.

Predominantly it is the division according to the golden ratio, which we refer to floor plan and view again. The golden section as an ideal proportion is higher for the order of the universe and creation. In the division of a route to the golden ratio, the smaller part behaves in the same ratio for the most part, such as the Great to the whole. It is a unique relationship. Because on each route there is only one point, namely the point of the Golden Section, which divides the route in those disparate parts. He reveals himself to us in nature, the development of plants and animals in mathematics and engineering. It seems the basic pattern of life to be